Thursday, November 26, 2009

Press Releases and Travel


South Beach:




Oulu, Finland.


This is a story in the local journal about the show that I exhibited in Colmio Design's show room. The title of body of work was Dreams. I needed a title that communicated the fractured, colourful landscapes that showed civilization in various periods, stages of life and complexities. I named the show in French to give a more Canadian feel to it as I feel that a part of our unique identity is the mutual existance of two distinct languages and cultures in Canada. I painted the show while living in small Francophone community in Gaspe, one of Quebec's most eastern regions.


St.Thomas Ontario, Canada.


After I came back from teaching abroad with the Odyssey program in Quebec I visited the town that my parents and I were born in. It was an important weekend for me to take part in; the beginning of the addition of local artists to their city market. My relatives were very large supporters of my work for a long time and contacted the local paper to come out and speak with me.

Wednesday, October 7, 2009

Long time no (C)ulture

It has been a very long time since I wrote in this blog. The main reason being a very busy schedule. Unfortunately I wish that meant that a lot of ground has been covered in the mean time. I do not wish to elaborate immensely on this topic except to say that things are much more difficult than they should be. Over the course of the development of the cultural masterplan in Mississauga I was exposed to many different types of personalities and histories. There were positive histories and negative ones. Individuals attending the many workshops and information sessions had been through similiar incidences of renewal and change in the past only to have things slip back into the same rut that has remained a dominating presence almost since inception. This city, the people who live in it and visit it all have the same thing to say; that there is something lacking.

Now that I have had my hands, wrists, elbows and arms deep in all of this I have formed a new hypothesis, one that is slowly becoming a popular theory.

Since the adoption of the cultural masterplan as the next step in the development of a unique cultural identity for Mississauga things have been moving slow. I have not seen change in the seperate non-profit institutions. Although they appear to be developing programming towards eliminating the surreptitious stagnation of their organizations activities they are merely a simulacrum for something substantial. Connection.

It almost goes without saying that if you host an event, you will have some people attend it. If you plan something out that requires bodies to participate there are enough people walking the streets and driving around in the summer time that they will drop in. Guaranteed? Maybe not?

There is a division of productive interest in reporting events that do not register on the political agenda of the local decision makers. Our newspaper is sadly under-utilized as any sort of communication tool. Those events/group activities that do not appeal to the common denomiator are marginlized simply out of neglect. This is no surprise as Mississauga does not have any sort of media presence. The news is owned by the star. The star is owned by a larger national corporation. the only hope that we have of any real press, in advance to an event or as reportage of a happening has to register on the star's radar, or not at all.

Recent reports about local shows have been full of errors and inconsistencies due to poor checking of facts and a lack luster understanding of whats going on in our community. It is not uncommon for artists not to be mentioned (as a sculpture that was unveiled recently had no mention of its author linked to it in the article that was reporting the event)...

That brings me to the here and now. In earlier posts I had supported the notion that it was up to the public (namely practicing artists) to step up and offer collaboration, projects and events to help kick start the public mind set to be engaged in the creation of culture (an end towards a cultural identity) instead of passive consumption. I assumed naively that those I contacted would feel the same way. It turns out that their work ethic is not what it is supposed to be. I feel that not only was I avoided, talked to less than plainly and finally treated as if I wasn't an originator of an idea, I was stuffed into a position of complete subordination. My question is; if this is the way that they treat the extraordinarily driven individuals that live in this City, how do they see, and treat the general public? Do they loathe them? Do they hate the fact that after all these years of collecting paychecks, partially funded by the people that visit and attend their responsiblities, they have to keep maintaining a facade of amiable hospitality? What does this have to say about the board of directors that help to maintain leadership and operation of these institutions? Do they care what happens with the day to day management?

It is difficult to say who is right and who is wrong. I am merely a bystander with a stake in my community because I care what direction we are headed in. Apathy within the populace is at, what we suppose, an all time high. The surest way to battle it is to Connect. It is an interesting posit to question whether or not there is anything wrong with Mississauga and the population when it comes to the creation of culture. There are enough people here. We are an affluent city that is highly educated and prosperous. We have all the trappings of a cultural metropolis. It is my belief that the problem is not with the way our citizens live, but the way that they are forced to live through apathetic non profit institutions that seek only to maintain the status quo. There is no experimentation, no adventurous spirit that is at the source of a competitive market place. There is no room for creative individuals to make dreams come true.

One of the major obstacles that we must deal with as a Municipality over the next twenty years is how to hang on to our Youth. We must give them space to grow and develop and without the adventurous spirit this will not happen. We must give them a reason to stay or they will move to the city that does. Our Economies are shifting. Ours is becoming an innovative economy no longer necessarily dependent on manufacturing or retail. If we dont change the way that we think and do business we will flounder like so many others. Although the monolith that we have built has a solid foundation there is no guarantee there will be any around to worship it when the prayers go silent.

Saturday, June 27, 2009

Informal Exhibition Space

For those of you who have been reading my blog and keeping up to date with what has been happening in Mississauga you will know that we still don't have any informal exhibition space with walking traffic and accessibility. I have begun the negotiation for a space that is west of the bridge on Lakeshore in Portcredit in an attempt to give some artists (mostly local) a chance to show their work. For me this was important because not all artists in Mississauga are focused on creating and showing work that can be displayed in a private gallery or a commercial setting.

I plan on packing the space and having an opening the week of the southside shuffle in order to maximize visibility and attendance. I have a number of people on board that are interested in being a part of this project already and am always looking for more. I have not begun the auditing process to see who has what work to show, but since there will be a fee to show work for the weekend I believe that this will sort out those who are not serious about showing the work.

Contact me if you read this and you are interested. I am encouraging everyone from the very experienced to the beginner. It will be a great chance to increase your network, learn about hanging a show and selling work (if that is your goal) and meeting the general public.

I come from a strong art community (OCAD) where these sorts of endeavours are quite common and are most of the time put together by students who are looking for exposure. It is sad and predictable that this has not happened repeatedly in Mississauga as of yet. At one point there were a few scattered student run projects but nothing that ever lasted. Of the three major spots to show work in Mississauga, not one is dedicated to giving local artists a solo show or a professional development. Workshops which aim to develop artists in the region are few and far between and are almost always run by our local community Non profit Mississauga Arts Council. It is sad that they are expected to do all the work.

There are a number of well run private galleries in Mississauga but they do nothing to increase awareness and expand the perspective of Mississauga's inhabitants. Bazgasht at the AGM proves that there are very large groups of culturally driven enthusiasts in Mississauga who are also being ignored when it comes to cultural development. If it wasn't for Asma Mahmood and her partner organizations they would most likely still not have a forum for expression of their cultural interests.

I am hopeful that things will begin to change. There is a social theory described by the phrase broken window. This simply means that all it takes is one person to throw a rock through an abandoned building's window for other people to begin doing the same. That first broken pane of glass says that we don't care even though that may not be the case. And the arts, much like an abandoned building doesn't have the interested parties financial backing to repair every window that is broken. However, in the exact reverse of this theory is the hope that when some good is done, it also spreads contagiously through a population. Positivism breeds positivism.

Tuesday, May 26, 2009

David Suzuki and the City of Mississauga Strategic Plan

This evening I attended the David Suzuki lecture series that followed the strategic plan by the City of Mississauga.

I checked the foundation website (Suzuki) and found that this talk was not on his list of scheduled stops. The crowd clapped at in opportune times. There were moments during the unveiling of the plan that seemed as if masses of rhetoric were being rained upon the audience in order to disguise the fact that there were key problems with the way the city is run, and how it is growing.

"A city built for cars" is how Hazel describes it. Their solution? To build not one, but two mass transit corridors that will run the length of Dundas and Hurontario. The true length on Dundas was not apparent (and was not mentioned in any other strategic plans but may have been trumped up in an effort to placate the public consensus that there is next to no reliable and affordable public transit). This bandaid solution seems to only fix a minor issue that faces Mississauga in their apparent 40 year strategic vision that will culminate in an enviable and vibrant city.

David Suzuki, invited into our house (the LAC) was politically minded and did not make any open comments directed at the lack of leadership when it comes to the building of a sustainable future. Having sat through his lectures previously it was disheartening to hear the same descriptions, same anecdotes and similar laments.

Of five strategic "Pillars" that the city plans to help build this city on, Green lists as fifth. The looming fuel crisis (which will undoubtedly call for more energy generators one of which is being slated for Clarkson here in south west Mississauga) is not addressed. Unchecked growth is not addressed. The commuter population and amount of Condos, Apartment buildings and Town house complexes that add to the amount of Carbon Load Mississaugans put on the local environment is not addressed.

We as a community were asked by the city what we needed. We told them what it was that we needed. Now, they are giving it to us, promises.

Thursday, April 16, 2009

Master Plan April 17 2009

Over the last 6 months I have been involved in workshops hosted by the office of arts and culture in Mississauga (soon to be under community services). A large shift in the way that all arts and culture (including Hertitage Mississauga) will take place changes soon. An amalgamation and redevelopment of the current Cultural Infrastructure in Mississauga is under way. This particular reformation in administration has not taken place before. Many years ago similar plans were developed to help target problem areas in the cultural develoment and creation of neighbourhoods. Now, however a different kind of plan has been set forth that will see the most problematic areas of cultural policy in Mississauga recieve a tune-up.

Many things will change, including the overall amount of funds the city itself invests in the arts annually. this number, which sees an increase of almost 200k a year will go a long way to filling the gap in public arts and culture programs between now and 2013. The increase will see our percapita spending on arts and culture rise from just over 1.40 to 3.00. Some of these improvements may even include additional satelite galleries that act as tributaries to the current AGM, as well a redefinition to the role that MAC plays as well. The current trend appears to be a strengthening of current arts and culture providers.

UCI has also suggested a independent review of LAC. This is met with mix reaction among the arts and culture community as some believe it is long overdue, and others believe the Masterplan does not address what this institution already offers. The LAC is the only venue that currently offers hands on instruction in wood working, glass blowing and the material arts through classes and residency programs.

After attending the workshops offered by the office of the arts and culture I believe I now have a comprehensive view of what they hope to accomplish. Many of the individuals that attended the workshop hadnt read the entire plan. The presentation by UCI was not completely exhaustive in their presentation of the material at large as that would take hour upon hour. The 85 page report has daunted many in their attempts to gain a grasp on the material. UCI gave an overvue of the strategic directions and expect follow up by the attendees as they reivew their 40 plus implementations expected to be completed in a 5 year time span. Some of the changes include a creation of a public art mandate and policy that would include a public art coordinator.

In response, I had a lot of information thrown at me. I heard many different takes on the report and various responses from stakeholders who had been through similiar proposals in the past only to see them pushed aside, shelved and consequently forgotten until they were dusted off and brought out again. Some left before the completion of a Q&A session in reaction to fielded questions with unsatisfying answers.

Although many changes are suggested no particular unifying philosophy towards the arts and culture, and what Mississauga, as a proposed cultural centre plans to do.

As artists and the community at large what is expected of us is a VERY tall order. We are going to have to get on eachothers nerves from time to time. Offer up constructive and critical advice to get where we want to be. Is the office going to be there to defend cultural identity and growth? The growing pains other communities have had to endure for the growth of their art have been great. OCAD, the school that trained me, taught me that. Sometimes members of your community will do or say something that will not be met with positivity. Is the office ready to go to the bat if I break convention? Will the office help communities to better understand eachother? The responsibility is ours to help create a stronger and more vibrant Mississauga. We have to take the same advice that we have given.

Friday, March 27, 2009


I have dug out this painting and I am planning on painting another layer. I havent showed this piece in Canada before but always felt that it was stronger than the pieces that it was shown with at the time. It was really a piece to the puzzle that I am sorting out with my current work. The application of the paint and the beginning layers of colour are very much like my current technique of application. So I am posting this work as a before and after kind of experiment. Should be interesting.

Monday, January 26, 2009

Past pieces still in progress

The following images have been shown a couple of times but not as part of a finished show. They are in various states of being painted still or are sold.





Images from mid 2008 that were done on their own and arent part of a greater whole.

Beginnings of the most recent work permeate these pieces as I figure out how to use the oil medium better. My colours are less cohesive than the current work but still have a certain amount of life.

Work from An Exercise in Futility

And more images....


In Harm's Way



I have returned from documenting the works hanging at the gladstone (since I ran out of time before installing them in the space)... For those friends who were unable to make it down check these out and let me know what you think, I am looking for feedback as I will most likely still be working on them after I bring them home.



Thanks again for all those people who came out to see the show, without your support there really wouldnt be any reason for a show at all.

Paul.

Monday, January 19, 2009

Gladstone Hotel Show

On the evening of January 16th 2009 I had the pleasure of showing a body of work created specifically for the Art Bar at the Gladstone hotel. I first saw the space with art work in October 08 and thought that it would be perfect to show my work. After a great meeting with the exhibition programmer Chris Mitchell I set to work developing the show.

It took almost two months to build the supports and collage for the show but on January 3rd 09 I put my first layer of paint on the works. I had originally imagined myself working for up to a month on the work but fell short on that projection. Luckily, I had enough painted to hang the work and am happy with the result. The feedback so far has been positive.

Many of the friends and family who came to the show asked what the title of the show meant. I probably gave each person that asked a different answer. This is pretty symptomatic of my process when coming up with explanations. I reason and work things out when I discuss them verbally. So, that being said, here are some of the explanations of for the title and why I feel that it is descriptive of the body of work.

I found that while I was making the work (sometimes working well past midnight while I was working full time as an installer) that I was running out of steam. I questioned the validity of the work, the reason for making it and the ends. Sometimes it feels contradictory to be engaged in the creation of work that has a social bend, but never engage in any socially enriching activities for months on end while creating my art. Although the work attempts to challenge the status quo in many ways it only caters to the system that I seek to undermine through collage and paint. I may seek humanitarian subject matter and want to illuminate injustice and suffering, I still try and sell the work in order to support myself as an artist and break even with all the costs that go along with it.

There are moments when every step towards the creation of fine art in the name of social consciousness could be a step backwards from social activism. It is a contradiction of terms within a thought process already laden with self doubt.

Even through all of this there is still the need and the knowledge that I must continue with the exercise above all odds. It is not art for arts sake, but art for my sake. In the end it is how I express myself in a universe of varied self expression. And although it classifies as an exercise in futility, the final contradiction is that it is'nt if and whenever I succeed and finish the project. It is oxy-moronic but ultimately, I hope, tongue and cheek. Because thats what it is essentially about in the end. Hope.